The themes and background of the show allow for contemplation and its war-ridden lands give ground for cynical criticism of war, but Girl’s Last Tour is not at all about nihilism, the cruelty of war or the dangers of technological advancement. However, their god seems more like an alien creature possibly playing a central role in mankind’s long history of war… Their different religious beliefs, or lack thereof, as well as their different perceptions of beauty are ingrained in them: some show idealistic symmetry spread evenly throughout, others are dominated by religious symbols resembling a progressed Christianity. The numerous layers of the forsaken and metallic city tell tales of many civilizations long gone their technology gradually grows more sophisticated and the cityscape more complex by the layer. This is a story about a post-apocalyptic future, cultures lost in war and appreciating the little things in life.įew future settings display the thoughtfulness present in Girl’s Last Tour: war has, multiple times, left its mark on Earth and humanity. Rations are their only food, each other's company their only comfort and a Kettenkrad motorbike and a protect rifle their only partners. Strolling through a grey and barren wasteland, two girls are on a journey.

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